17 : 30 | Santiniketan
Join us at Arthshila Santiniketan for the film screenings of โ๐๐๐บ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐ฒ๐ฐ๐ต ๐ ๐ฒ๐ถ๐ปโ by ๐ฅ๐ฎ๐ท๐ธ๐๐บ๐ฎ๐ฟ๐ถ ๐ฃ๐ฟ๐ฎ๐ท๐ฎ๐ฝ๐ฎ๐๐ถ and ๐ฅ๐๐ฐ๐ต๐ถ๐ธ๐ฎ ๐ก๐ฒ๐ด๐ถ and โ๐ ๐ฎ๐ธ๐ถ๐ป๐ด ๐ฆ๐ฝ๐ฎ๐ฐ๐ฒโ by ๐ก๐ถ๐ธ๐ถ๐๐ฎ ๐ฃ๐ฎ๐ฟ๐ถ๐ธ๐ต and ‘๐ฃ๐ฎ๐ฟ๐ถ’ by ๐ฃ๐ฟ๐ถ๐๐ฎ ๐ฆ๐ฒ๐ป, followed by interactions with the Filmmakers in collaboration with ๐ฅ๐ผ๐๐ด๐ต ๐๐ฑ๐ด๐ฒ๐.
๐๐๐ง๐๐๐๐ฆ:
๐ง๐ถ๐บ๐ฒ: ๐ฑ:๐ฌ๐ฌ ๐ฝ๐บ ๐ผ๐ป๐๐ฎ๐ฟ๐ฑ๐
๐ฅ๐๐ป ๐ง๐ถ๐บ๐ฒ: ๐ด๐ฌ ๐บ๐ถ๐ป๐
๐ฅ๐๐ฐ๐ต๐ถ๐ธ๐ฎ ๐ก๐ฒ๐ด๐ถ is a filmmaker, educator, and visual artist with an interest in arts-based pedagogical practices. Some of her films include Malegaon Times, Every Time you tell a Story and Two Autumns in Wyszogrod. She has been awarded artistic residencies at the Centre for Contemporary Art, Warsaw; PAV Centre for Contemporary Art, Turin and Khoj Studios, Delhi.
๐ฅ๐ฎ๐ท๐ธ๐๐บ๐ฎ๐ฟ๐ถ ๐ฃ๐ฟ๐ฎ๐ท๐ฎ๐ฝ๐ฎ๐๐ถ is a social activist embedded in the grassroots women’s collective, Sahjani Shiksha Kendra, in western Uttar Pradesh, for over two decades. She is also a part of the feminist think tank, The Third Eye’s Learning Lab. She was one of the filmmakers in the collaborative film project, Raat (Night time in small time India), that has travelled to various national and international film festivals, university fora and cultural festivals since its release and won the Gender Sensitivity Award at DIFF.
๐ฅ๐ผ๐๐ด๐ต ๐๐ฑ๐ด๐ฒ๐ enables, mentors, produces and disseminates imaginative documentary films that explore diverse, intersecting and complex realities, boldly informed by feminist and queer politics and a commitment to social justice. Through the making and sharing of films, it aspires engagements with intention, perspective, process, form and expression and how they resonate in a structurally intricate and unequal world.
๐๐บ๐ฝ๐ฟ๐ถ๐ป๐๐ showcases films, stories, and conversations that explore interconnected gendered experiences, celebrating diverse desires, resistances, and solidarities. Developed through the Rough Edges Uncode Fellowships, these works reflect on patriarchies, intersecting identities, and the politics of framing womenโs everyday lives.