Visual Arts | Workshop

Matter and Material: Archives, Objects, Practice

Saturday 20 December 2025 -
Tuesday 22 December 2026

11 : 00 | Santiniketan

About The Event

TENT (Theatre for Experiments in New Technologies) Kolkata in collaboration with Arthshila Santiniketan invites registration for โ€œ๐— ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐— ๐—ฎ๐˜๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น: ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€, ๐—ข๐—ฏ๐—ท๐—ฒ๐—ฐ๐˜๐˜€, ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒโ€ a three-day workshop on subjects of labour and art practice.

๐——๐—˜๐—ง๐—”๐—œ๐—Ÿ๐—ฆ:
๐——๐—ฎ๐˜๐—ฒ: ๐Ÿฎ๐Ÿฌ-๐Ÿฎ๐Ÿฎ ๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ.
๐—ง๐—ถ๐—บ๐—ฒ: ๐Ÿญ๐Ÿญ ๐—ฎ๐—บ ๐˜๐—ผ ๐Ÿณ ๐—ฝ๐—บ.
๐—ฉ๐—ฒ๐—ป๐˜‚๐—ฒ: ๐—”๐—ฟ๐˜๐—ต๐˜€๐—ต๐—ถ๐—น๐—ฎ ๐—ฆ๐—ฎ๐—ป๐˜๐—ถ๐—ป๐—ถ๐—ธ๐—ฒ๐˜๐—ฎ๐—ป.
๐—Ÿ๐—ถ๐—บ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฆ๐—ฒ๐—ฎ๐˜๐˜€.

๐—ฅ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ๐˜๐—ผ๐—ฟ๐˜†: https://forms.gle/SMiJFPVAYLc6T6Dy6

๐—”๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐˜€๐—ฒ๐—น๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ผ๐—ป ๐—ฎ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜-๐—ฐ๐—ผ๐—บ๐—ฒ, ๐—ณ๐—ถ๐—ฟ๐˜€๐˜-๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ๐—ฑ ๐—ฏ๐—ฎ๐˜€๐—ถ๐˜€.

In The Arcades Project (1982), Walter Benjamin writes about โ€˜rag pickingโ€™ as archival research; the idea was to collect โ€˜wasteโ€™. Such archives are subjective, incomplete, and informal. In this context we ask: What is the โ€˜archival turnโ€™ in arts practice? And, is the archive still turning? We think against the grain, and consider: Why do archives matter at all, and what is an archive? How are archival materials found, recovered, โ€˜savedโ€™, reenvisioned and reactivated by artists, filmmakers, curators, researchers, writers? Can we think through archival matters and material and address how โ€œrepressed, messy or unstable substances and impure formationsโ€ (Lange-Berndt 2015) may surface through our work? The workshop focuses on the debates around โ€˜archives and materialityโ€™, and how arts practice makes the unknown visible.

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